Robin got his start with the USAF, working perhaps the most stressful and simultaneously boring job in our services: running a nuclear missile. Every day started with a nod to a terrifying piece of hardware. If anything ever broke, it was a bad day. Every shift required absolute readiness and the mastery of a rocket. There wasn't room for accidents, errors or mistakes.

Afterwards, Robin's career turned to production. He's shot from helicopters, underwater, on ships and on land. Clients have sent him to all but the south pole. Working with bulky and complex film cameras evolved to digital cameras and computerized editing. Expensive helicopter rentals have given way to his fleet of indoor and outdoor drones.

Times and technology have changed, there's fewer stray photons zooming around, but the work goes on.

Robin likes to say "I have been there, I have done that, I am still here."